If you like your album’s diverse, make sure to check out Ill Communication. Seriously, this song’s only two tracks after “Sabotage”.
If you like your album’s diverse, make sure to check out Ill Communication. Seriously, this song’s only two tracks after “Sabotage”.
This song’s a perfect example of how great the Black Keys are at making something new and original, by taking influence from past music, instead of plagiarizing it.
Music snobs may disagree, but I’ll always be an unabashed fan of early Radiohead.
The perfect fusion of acoustic, electric and Tolkien. Page and Plant are incredible as always, but this song has some of my favourite rhythm work by John Paul Jones and John Bonham.
For some reason, rotoscoped animation’s always come across to me as looking more fluid and smooth than real life movement. It really makes no sense, but there ya go.
Also, this song’s just great.
For all the flack that Chinese Democracy got, I still say that it’s the most solid album from any of the GNR guys since Appetite for Destruction.
This album’s just kept growing on me over the years. I can’t get over the fact that it was recorded by four guys that were just turning 20 at the time.
For something a bit different than my usual posts, here’s a beautiful arrangement from Japanese composer, Masashi Hamauzu.
Mellon Collie and the Infinite Sadness is like the White Album of the 90s. It’s kind of all over the place, but fantastic at the same time. After the uplifting “Tonight, Tonight”, “Jellybelly” really kicks the album into high gear.
The Clash are hands down, one of the greatest punk bands of all time. They pioneered an entire genre, and as such, never seemed tied to what that genre had to mean.